The Glastonbury Thorn is a real, twice yearly blossoming, hawthorn tree (or trees) and a potent myth. The original Thorn supposedly grew on the spot where
Joseph of Arimathea thrust his staff into the ground on Weary-All or Wirral Hill. Over the centuries it has multiplied and spread, been cut down, re-planted, re-
positioned and had its mythical power claimed by Christians and Pagans alike.
Two pieces completed during the pandemic lockdowns of 2020/21 responding to ancient sweet chestnut trees on the Felbrigg estate in Norfolk. Gouache on clay board.
Four small works on clay and scratch board made in response to a visit to woods in Somerset as part of the Arborealists’ Exmoor project.
A series of photographs in response to the coronavirus lockdown of 2020.
Three drawings forming a composite image of an old vine in southern France.
Graphite drawings from photographs by Adrian Hollister of a eucalyptus tree at Inverewe.
Tree rubbings using sterilised soil, Inverewe.
Continue reading “Skin”
A construction in the small bay of Camas Glas, Inverewe.
Continue reading “The Shieling”
Root rubbings using charcoal from Inverewe Estate.
Continue reading “Roots”
An installation on the shingle beach at Cley.
Nine charcoal drawings forming a composite image of a historic tree.
A response to Nan Shepherd’s ‘The Living Mountain’
Continue reading “Mountainwords”
A response to Nan Shepherd’s ‘The Living Mountain’. Simulacrums of pine needle balls formed in the winter in Scottish burns.
Continue reading “Harbingers”
A response to Nan Shepherd’s ‘The Living Mountain’. Photographs of the shadows of grasses, leaves, etc on a sketchbook.
Continue reading “Sunshadows”